Sound Editing
The short film “Breakdown’ won the award for Best Sound (Drama) at the Royal Television Society West of England Awards 2018.
I sound edited the film, which was mixed in 5.1 by Andrew Wilson at Real World Studies. Original score by Scott Hazell and Directed by Dave Mackie
Client: Dave Mackie
h3 class=”widget-title”>Sound Design
Collaboration with motion graphics designer, Matt Gilligan. Voice Over taken from Scroobius Pip’s Distraction Pieces podcast #89
Client: Matt Gilligan
Full audio post-production
I edited and mixed the sound for epsidoes 1 to 6 of “The Drunk’ webseries, starring Seann Walsh.
Client: Gabriel Foster-Prior
Music & Sound Design
For this work, I was given a brief of providing a clean, slick and contemporary soundtrack, working to the movement of the animated font.
Client: Chris Joyce
Full audio post-production
This is the fifth and final episode of the ‘One lapse can last a lifetime’ series for Mitie.
Client: JS Productions
Sound Design & Mix
Client: Scubaboy Inc
Music & Sound Design
Client: Al Boardman
Full audio post-production
The first in a new series of short films.
Client: JS Productions
Full audio post-production
For this short, I edited the sync sound, added atmospheres and FX, and mixed with the music cues provided by the composer.
Client: Jonathan Hardy
Sound Design & Mix
For this video I laid out the sound design elements and mixed these with the Voice Over and music track provided by the client.
Client: Scubaboy Inc
Full audio post-production
This is a trailer for a short film that will be released in 2016, which I have sound designed, edited and mixed. [WARNING: Contains potty mouth]
Client: Matty Groves
Sound Design & Mix
Client: Al Boardman
Sound Design & Mix
Client: JS Productions
Sound Design
I worked as the Sound Designer on this submission to the 2015 48 HOUR FILM CHALLENGE. This film was written, shot and edited between 11-13 April 2015. Post-production began 16 hours before the submission deadline and was completed with time to spare!
Client: Robot Dinsosaur
Full audio post-production
For this series of three short films for Mitie, I worked closely with the Producer, James Sykes, and the Director/Editor, Matthew Freeth. ‘The Penalty’ was nominated for Best Short at the RTS West of England 2016 awards.
Client: JS Productions
Sound Design & Track Lay
Working as a Dubbing Editor for Blow Out Sound we provided the track lay for all 6 episodes of the flagship BBC series ‘Life Story’, working closely with the BBC Producers and Dubbing Mixer, Graham Wild.
Client: BBC Natural History Unit
I worked as a Dubbing Editor on four of the five episodes in the ‘Destination Wild: Brazil’ series, broadcast on National Geographic Wild. Freelancing for Blow Out Sound, full track lay was provided for Producer Paul Reddish and mixed by Graham Wild at Films at 59.
Client: Terra Mater
Worked as a Dubbing Editor for Blow Out Sound on episode 2 of ‘Dolphins – Spy in the Pod’, assisting Paul Cowgill. Sound editing and track lay was carried out in Pro Tools.
Client: John Downer Productions
Video Editing, Dubbing & Sound Design
The footage for this trailer was shot in HD on a Canon 5D by Matty Groves. I cut & graded the footage in Premiere Pro. A locked edit was then sent to the animator before the sound work was carried out. I recorded the Voice Over and the cellist in my home studio. This was mixed in Pro Tools along with sound design, created from original FX and Foley.
Client: Byron Vincent
Original Music and Sound Design
For this online marketing ad, I was asked to provide some uplifting music and sound design to fit the animated video. Foley recorded in the studio and library sounds were added to a music track created in Ableton and mixed together in Pro Tools.
Client: Studio Okoku
Video Editing & Music Production
For this music video, I edited the video using Adobe Premiere Pro CS6, which was shot and directed by Matty Groves & produced the music for Canola Tenderfoot using Ableton.
Client: Slime Recordings
Original Music, Sound Design & Motion Graphic Editing
For this online promo ad, I customised a commercial Adobe After Effects template provided by the client and provided a soundtrack comprising of an original composition and Foley.
Client: Yz Designs
Editing, Colour Grading & Sound Design
I edited and colour graded the picture using Adobe Premiere Pro CS6. For the soundtrack, using Pro Tools I mixed audio edited from the on-camera sound, with Foley recorded in the field using a Tascam DDR-100 and synthesised waveforms created in Ableton.
Client: Dionne Vincent
Audio Recording and Editing
I was asked to record this spoken word piece so that it can be used in a video production. I recorded the performer in my home studio and ensured a relaxed environment so that a good, dynamic performance was captured. Some overdubbing and editing was carried out so that a faultless performance was produced.
Client: Byron Vincent
Video Editing & Titles
The brief for this video was to select 15-20 second clips from each artists’ promo video, edit them together and add some titles.
Client: Festival Weekend au bord de l’eau
Animated titles & Sound Design
As a fun project for some friends, I created animated titles using Adobe After Effects CS6. These sequences were cut together with home video clips given to me. The sound track was created in Pro Tools using custom foley and library sounds.