Full audio post-production
Client: Shunk Films
Sound Editing
The short film “Breakdown’ won the award for Best Sound (Drama) at the Royal Television Society West of England Awards 2018.
I sound edited the film, which was mixed in 5.1 by Andrew Wilson at Real World Studies. Original score by Scott Hazell and Directed by Dave Mackie
Client: Dave Mackie
h3 class=”widget-title”>Sound Design
Collaboration with motion graphics designer, Matt Gilligan. Voice Over taken from Scroobius Pip’s Distraction Pieces podcast #89
Client: Matt Gilligan
Full audio post-production
I edited and mixed the sound for epsidoes 1 to 6 of “The Drunk’ webseries, starring Seann Walsh.
Client: Gabriel Foster-Prior
Music & Sound Design
For this work, I was given a brief of providing a clean, slick and contemporary soundtrack, working to the movement of the animated font.
Client: Chris Joyce
Full audio post-production
This is the fifth and final episode of the ‘One lapse can last a lifetime’ series for Mitie.
Client: JS Productions
Sound Design & Mix
Client: Scubaboy Inc
Music & Sound Design
Client: Al Boardman
Full audio post-production
The first in a new series of short films.
Client: JS Productions
Full audio post-production
For this short, I edited the sync sound, added atmospheres and FX, and mixed with the music cues provided by the composer.
Client: Jonathan Hardy
Sound Design & Mix
For this video I laid out the sound design elements and mixed these with the Voice Over and music track provided by the client.
Client: Scubaboy Inc
Full audio post-production
This is a trailer for a short film that will be released in 2016, which I have sound designed, edited and mixed. [WARNING: Contains potty mouth]
Client: Matty Groves
Sound Design & Mix
Client: Al Boardman
Sound Design & Mix
Client: JS Productions
Sound Design
I worked as the Sound Designer on this submission to the 2015 48 HOUR FILM CHALLENGE. This film was written, shot and edited between 11-13 April 2015. Post-production began 16 hours before the submission deadline and was completed with time to spare!
Client: Robot Dinsosaur
Full audio post-production
For this series of three short films for Mitie, I worked closely with the Producer, James Sykes, and the Director/Editor, Matthew Freeth. ‘The Penalty’ was nominated for Best Short at the RTS West of England 2016 awards.
Client: JS Productions
Sound Design & Track Lay
Working as a Dubbing Editor for Blow Out Sound we provided the track lay for all 6 episodes of the flagship BBC series ‘Life Story’, working closely with the BBC Producers and Dubbing Mixer, Graham Wild.
Client: BBC Natural History Unit
I worked as a Dubbing Editor on four of the five episodes in the ‘Destination Wild: Brazil’ series, broadcast on National Geographic Wild. Freelancing for Blow Out Sound, full track lay was provided for Producer Paul Reddish and mixed by Graham Wild at Films at 59.
Client: Terra Mater
Worked as a Dubbing Editor for Blow Out Sound on episode 2 of ‘Dolphins – Spy in the Pod’, assisting Paul Cowgill. Sound editing and track lay was carried out in Pro Tools.
Client: John Downer Productions
Video Editing, Dubbing & Sound Design
The footage for this trailer was shot in HD on a Canon 5D by Matty Groves. I cut & graded the footage in Premiere Pro. A locked edit was then sent to the animator before the sound work was carried out. I recorded the Voice Over and the cellist in my home studio. This was mixed in Pro Tools along with sound design, created from original FX and Foley.
Client: Byron Vincent
Original Music and Sound Design
For this online marketing ad, I was asked to provide some uplifting music and sound design to fit the animated video. Foley recorded in the studio and library sounds were added to a music track created in Ableton and mixed together in Pro Tools.
Client: Studio Okoku
Video Editing & Music Production
For this music video, I edited the video using Adobe Premiere Pro CS6, which was shot and directed by Matty Groves & produced the music for Canola Tenderfoot using Ableton.
Client: Slime Recordings